Episode #225: We Are Back

Samantha Rund returns to co-host Black & A Half. In this episode, Silas & Samantha talk about fact-checking on Facebook, grief, and rededication. 

Videocast

Podcast

Interview: Xenia LeBlanc

lcome to another episode of “You’re Watching A Movie With Silas Lindenstein”! This week, I had the pleasure of interviewing Xenia LeBlanc, the talented writer and director of the short film “The Exposed.” Xenia takes us through her fascinating journey from studying acting around the world to creating her gripping horror short film.

In this interview, we delve into the unique dynamics of her filmmaking partnership with her husband, Nicholas Acosta, and how they navigate their creative projects together. Xenia reveals the challenges and creative process behind “The Exposed,” a film crafted without CGI or visual effects, and the inspiration she drew from her Russian childhood, including a chilling episode of “Rescue 911.”

Watch and Listen Below:

VIDEO INTERVIEW

AUDIO-ONLY PODCAST

Highlights of the Interview:

  • Filmmaking Couple Dynamics: Insights into working and creating films with her husband, Nicholas Acosta.
  • Creating “The Exposed”: Behind-the-scenes look at the making of the film and overcoming challenges without CGI.
  • Inspirations and Horror Genre Insights: How Xenia’s childhood experiences and love for horror influenced her storytelling.
  • Cultural Influences: Discussions about the impact of her Russian background on her creative process.

Links:

Join us for an engaging and insightful conversation with Xenia LeBlanc, filled with personal anecdotes, filmmaking tips, and a closer look at her latest project. Don’t forget to leave your comments and share your thoughts on the film!

Enjoy the episode and make sure to subscribe for more exciting interviews and movie reviews!

Comedian Ken Hamlett

Comedian Ken Hamlett drops by to answer the seven questions and to learn why Silas may have to move. 

Available in video only on our audio only podcast or on our Youtube Channel. Pick whichever one below

Audio Only Podcast

Video

Review – Empire Of Light

Review – The Empire Of Light

Empire of Light (2022)
Rated R ‧ Romance/Drama ‧ 1h 59m
Written by Sam Mendes
Directed by ‎Sam Mendes

THE CAST

Olivia Colman, Micheal Ward, Monica Dolan, Tom Brooke, Tanya Moodie, Hannah Onslow, Crystal Clarke, Toby Jones, and Colin Firth.

THE STORY

(In their own words) A romance develops in a beautiful old cinema In the south coast of England in the 1980s.

THE BEST


The BEST things about the film

  1. Character Driven – This is a character driven piece. It was very nice examining these characters. 
  2. Olivia Coleman is great. She’s a magnificent actor and her roller coaster of emotions in this film seem spot on. 
  3. Well directed.  The pacing and the moments are really nice. 

THE WORST

The WORST things about the Film

  1. The story feels like it meanders a bit. 
  2. No oomph. There is no feeling at the end of it like we accomplished anything big with the film.

MY THOUGHTS

Most films are about one or two elements. This is really a character driven piece about an unlikely romance between a middle-aged white woman and a college age young black man in the 1980s.  The film seems relatively simple, but I think it’s a lot more complex than most people will give it credit for. This film delved into mental health, workplace sexual harassment, racism, and taboo matters of the heart.  At first it seems like it’s just going to be another film about the joy of cinema, when there’s actually more discussion about how the main character won’t take time to go sit and watch a movie.  The story moves swiftly and your affection for each of the characters grows in complex ways, much like what happens between the characters. 

THE LESSON

If you move fast enough you can’t see the darkness

IS IT REWATCHABLE

Yes

THE FINAL WORD

Olivia Coleman shines as the lead actress is this character driven romance drama set at a film house in 1980s England. Sam Mendes directs this film with much care and attention to careful pacing and tender moments between characters. Very much a character driven piece it is interesting, thoughtful and full of partial explorations of the challenges within a complicated relationship and mental health issues. A well-done film that meanders at times and lacks a huge understanding of why we are seeing this story. Nonetheless, it is worth seeing for Coleman’s performance, insight into the 80s in England, and exemplary film direction. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Empire Of Light gets a Like It.

THE TRAILER

THE MEME REVIEW

Review: Bodies Bodies Bodies

Bodies, Bodies, Bodies (2022)
R ‧ Horror Comedy ‧ 1 Hour 35 Minutes


Screenplay by Sarah DeLappe
Story by Kristen Roupenian

Directed by ‎Halina Reijn

THE CAST

 Amandla Stenberg, Maria Bakalova, Myha’la Herrold, Chase Sui Wonders, Rachel Sennott, Lee Pace, and Pete Davidson.

THE STORY

(In their own words) 

When a group of rich 20-somethings plan a hurricane party at a remote family mansion, a party game turns deadly in this fresh and funny look at backstabbing, fake friends, and one party gone very, very wrong.

THE BEST

The BEST things about the film

  1. The comedy – very funny film. Possibly now a current favorite horror comedy. 
  2. The suspense – Trying to figure out who the killer is, waiting for twists, waiting for the next death, trying to figure the whole thing out, was amazingly exciting. 
  3. The satire. The satire of the film to me seemed to be a commentary on the juxtaposition of the starring generation. This is a generation that is really in touch with their emotions and aware how their words can harm other people. Yet at the same time they feel empty. 

THE WORST

The WORST things about the Film

  1. It’s definitely a film of convenience. Set up too perfectly. 
  2. Some exposition to explain dumb things people did, seemed unnecessary. 
  3. My lack of a time machine to go back in time and watch this again for the first time.

THE REVIEW

After every screening I see, I’m supposed to give notes to the PR firm holding the screening, let me share with you what I said to the things I told them:

“A refreshingly and surprisingly wonderfully done horror comedy, with an emphasis on the comedy. 

Honest performances, never over the top, played for keeps never for laughs, but the laughs kept coming. 

Pete Davidson is fantastic. 

Wonderful ensemble! Acting, chemistry, they did it all so wonderfully. 

Can’t wait to see it again. 

It is the “do-not-miss horror of the year.” 

Spot-on satire of a generation that has amazing levels of empathy and understanding of other people’s difficulties yet can’t find their own purpose.”

That should give you a sense of how I felt about this film. 

They say it is a lot harder to write a review of a film you like than to write one for a film you hate.  It’s really hard for me to write this review. I just want to gush over how much I enjoyed this. 

I feel like I watch a lot of TV and film, and I just couldn’t predict this film. It’s horror, but it wasn’t as gory as I was afraid it would be. It showed it was also a comedy, but it was WAY funnier than I predicted. I thought I knew who the killer was, then I thought I knew who they were trying to make me think the killer was, then I thought I knew the red herring, cause it’s actually this other person….I was never right. I could just never predict what would happen. And that is absolutely exhilarating. 

I don’t think the film will be considered a film to “change the genre” but it at minimum should set a bar of excellence because this film is truly wonderful.  The writing is wonderful. The script is witty, the characters are fully developed, they are driven with clear motivations, they reveal things at just the right times, there are wonderfully developed social commentaries throughout the film, which is so wonderful to see in a horror comedy. 

The acting is surprisingly awesome. Pete Davidson was just terrific and it makes me want to go watch his other films to see if I’ve been missing something.  

THE LESSON

This movie is stacked full of lessons! It really is!

Lessons in white privilege, in ableism, in understanding the hardships others experience and trying to be an ally. But ultimately I came away with this:

Being an ally is great….but making yourself empty inside is horrible. 

REWATCHABLE?

Absolutely. One of the first movies in a while that I can’t wait to watch again. 

THE FINAL WORD

If you want a great laugh and scream movie, Bodies Bodies Bodies is it. It definitely has the blood and guts of a horror film. But it’s comedy makes me forget all that. This is close to the most fun I’ve had in a theater this year. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Bodies Bodies Bodies gets a Love It

THE TRAILER

Review: Cha Cha Real Smooth

Cha Cha Real Smooth (2022)
R ‧ Comedy/Drama ‧1 Hour 47 Minutes


Written by Cooper Raiff

Directed by ‎Cooper Raiff

THE CAST

Cooper Raiff, Dakota Johnson, Raúl Castillo, Odeya Rush, Evan Assante, Vanessa Burghardt, Brad Garrett, and Leslie Mann

THE STORY

(In their own words) A man who works as a bar mitzvah party host strikes up a unique friendship with a young woman and her teenage daughter.

THE REAL STORY

A young man who can’t help falling in too quickly gets caught up being a nice guy to a (slightly) older woman and tests his own boundaries and hers in this “coming of love” story. 

THE BEST

The BEST things about the film

  1. The Direction – this is really hard to describe to people who haven’t worked on making a film, if the film isn’t stylized toward a particular director like Wes Anderson or unless the director is really known for things like making giant explosion films like Michael Bay.  Sometimes excellent directing is just because the director really knows how to work with a wonderful script and knows how to create the gorgeous moments between actors. That’s what this film does. Some of the best moments in the film happen between the lines. The silences in this film are incredibly rewarding. This film’s moments are handled with incredible care. There’s a delicate touch to the film as it is guided.  The director, who was also the star, really understands how to craft a story and how to draw the viewer into the scene without visually trickery.  
  1. The writing – It’s just so damn well written.  It’s the kind of film that I watch as a filmmaker and go “why can’t I do this.” I’m simultaneously jealous and inspired and in awe. It’s not a complex story but it tells a lot.  I almost would calling it a coming of age story, but the lead is too old for that. So I call it a “coming of love” story.  This film reminds me of the saying “do a simple story, really well.” Accomplished.   Also, it has so many great lines that I’ll be quoting for years. 
  2. The pacing – I know the film is paced really well and incredibly tight because I was shocked to discover the runtime was an hour forty-five. It flew by.
  3. Dakota Johnson – Her performance was so nuanced, subtle and strong in this film. Mark my words, she is going to get a bunch of nominations at the end of the year for best actress at awards shows. As a testament to her acting, her character was crossing some lines that I really felt she shouldn’t and would normally upset me,  but she managed to drum up so much empathy, I could let it go. 

THE WORST

The WORST things about the Film

  1. Acting – I don’t have a lot of bad things to say about. the film, there are few weeks spots. I will say that when I found out the star of it, Cooper Raiff was also the director, I wasn’t surprised. I did unfortunately feel like he had the weakest performance in the film. He relied too much on constantly smiling as a reaction to everything.  Maybe this was a choice, but I kept thinking “that’s an odd choice. Why is he still smiling like that?”  I don’t think choices should be distracting.
  2. Apple Streaming – This isn’t really a fault of the film but rather of Apple TV+. They list the film as a comedy, in reality it is definitely more of a drama/comedy. Calling this a comedy was a little misleading for what I was expecting, though perhaps it did get me ready to laugh, which it did at times, but it is at very least a mixed genre film.

THE LESSON

Love is hard. 

Finding your soulmate doesn’t mean it will be easy. 

THE FINAL WORD

Cha Cha Smooth is funny, charming, and exceptionally directed film. It’s the kind of film that I love; one that focuses on a good story and acting. It examines flawed characters and gives us a better insight into what it is to be human. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

I give Cha Cha Real Smooth a Love It. 

WHERE TO WATCH

Cha Cha Real Smooth is streaming exclusively on Apple TV+

THE TRAILER

THE REVIEWER

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review – The Unbearable Weight Of Massive Talent

The Unbearable Weight of Massive Talent (2022)
R ‧ Action/Comedy ‧ 1 Hour 47 Minutes

Written by  Kevin Etten &‎ Tom Gormican

Directed by ‎Tom Gormican

THE CAST

  • Nicolas Cage
  • Pedro Pascal
  • Sharon Horgan
  • Ike Barinholtz
  • Alessandra Mastronardi
  • Jacob Scipio
  • Neil Patrick Harris
  • Tiffany Haddish

THE STORY

(In their own words) Unfulfilled and facing financial ruin, actor Nick Cage accepts a $1 million offer to attend a wealthy fan’s birthday party. Things take a wildly unexpected turn when a CIA operative recruits Cage for an unusual mission. Taking on the role of a lifetime, he soon finds himself channeling his most iconic and beloved characters to save himself and his loved ones.

THE REVIEW

Nicholas Cage is obviously a massive talent. He has what most actors dream of….a distinct voice and style of acting that draws people. 

Above all though, he’s an artist.  I believe that it takes true artistry to be self-reflective and The Unbearable Weight of Massive Talent is a great opportunity for Nicholas Cage to be self-reflective and self-deprecating.  Nicholas Cage shows he is not afraid to make fun of himself and how self aware he is of how the public at large sees him.  The film is a clear fictional version of Cage, but clearly painted with a lot of truth. Truths that lesser men may not be able to handle. 

The essence of the story is that a financially struggling Nicholas Cage takes a million dollar paycheck to attend a fans birthday party. While there, he learns that his fan may be a high profile drug lord and the FBI wants his help to save a woman they believe is being held on the estate. 

The results of this are a wonderful, refreshingly original comedy. Cage is a comedic force in the film. It’s a great tribute to Nicholas Cage that will be enriched by how many films of his you have seen, the good and the bad. The film is part buddy comedy, part action comedy, but whatever it is doing, it is consistently funny. 

I love how self aware the film is…, it’s so layered. It’s almost a movie within a movie within a movie. Are we watching what happened or a story told about what happened? 

There are really only two points of the film I didn’t care for. One, is that I think a film focusing on the celebrity of a Hollywood actor shouldn’t have so many other recognizable faces co-starring. I think it takes us out of the film. It constantly reminds me that the story isn’t real because Nicholas cage is pretending he’s talking to an agent when it’s obviously Neil Patrick Harris. Give us unknown actors for these roles. 

The second point is the end of the film. I can’t tell if they just ran out of time, or just weren’t sure how to end it. But I felt as if I was robbed of a solid ending to the film with a little bit of slight of hand. 

Javi Gutierrez’ (Pedro Pascal, left) and ‘Nicolas Cage’ (Nicolas Cage, right) zooming through the mountains of Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

THE BEST


BEST things about the film

  1. Original
  2. Self-Aware
  3. Pacing
  4. Very funny.

THE WORST

The WORST things about the Film

  1. I don’t feel like we get the ending we deserve. 
  2. I wish other actors in the film were not so well known. I really like the idea of Nick Cage the movie star being amongst all these regular people. But having other semi-stars around him takes away the potential realness feelings of some of the scenes. I really wish the roles played by Tiffany Haddish, Neil Patrick Harris, and Pedro Pascal were played by unknowns, even though they do a fine job. 

THE LESSON

Being a Hollywood star doesn’t mean life is easy. 

‘Nicolas Cage’ (Nicolas Cage) greets ‘Javi Gutierrez’ with a ‘Palm Hold Fist’ salute as he arrives in Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

THE FINAL WORD

A very funny love letter to Nicholas Cage that could only work being starred by Nicholas Cage himself. It is hilarious, self-aware, and very inventive. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Unbearable Weight of Massive Talent gets a Love It.

THE TRAILER

THE REVIEWER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.