Black & A Half

The Longest Running Comedy Podcast In Seattle. Probably.

Review: The Tender Bar

Tender Bar Review (2021)

R ‧ Coming of Age Drama ‧ 1 hour 46 minutes

Directed by George Clooney
Screenplay by William Monahan

Based on The Tender Bar by J. R. Moehringer

Review by Silas Lindenstein

THE CAST

Ben Affleck as Uncle Charlie
Tye Sheridan as J. R. Moehringer
Lily Rabe as Dorothy Moehringer
Christopher Lloyd as Grandpa
Daniel Ranieri as Young J. R. Moehringer
Rhenzy Feliz as Wesley
Briana Middleton as Sidney
Max Casella as Chief

THE STORY

Set in 1970s Long Island,[2] 9-year-old J. R. Maguire and his mother Dorothy move back in with his grandparents following her breakup with his father. There, he forms a bond with his Uncle Charlie, the owner of a local bar. Charlie acts as a surrogate father to J. R. and encourages him in his pursuit of becoming a successful writer. Charlie’s mother is determined that he will go to Yale or Harvard and become a lawyer.

THE REVIEW

Watching The Tender Bar is like getting a big hug from an Aunt you like. It’s a comforting hug. It feels nice because it’s familiar. It isn’t the best hug, you’ve had hugs like this before, and you’ll have them again. It’s nothing special, but it’s nice. 

The Tender Bar is ripe with the nostalgia you expect from a coming of age story.  A lot of it is familiar, even if you can’t place it exactly; the boy who wishes his Dad was around, and gets more love from his Uncle and his friends than he ever could from his Dad. Dreaming of a better life when they get older and getting to see the slow crawl toward that something better. 

So the story is okay. The premise is alright. The acting….that’s where this film really shines. Ben Affleck is really great as Uncle Charlie, the “smarter than everyone else in the room Uncle” who owns a bar called The Dickens. Affleck is so natural and speaks and matches the tone of film just perfectly. He’s charming, funny, kind, and empathetic. He’s the uncle we all want and he plays it with very little effort. 

Our main character is split into two actors, the young  J. R. Moehringer played by Daniel Ranieri  and the older JR played by Tye Sheridan. Both do an exceptionally well job portraying the lead character, their innocence while marching forward in life is very relatable, slightly awkward, and fun. 

The other well done aspect of the film is the direction. The tone of the film is hit just right by director George Clooney. He does an excellent job of directing really solid moments of the film that engage you with the characters and make you root for them. He also has impeccable comic timing and makes sure that the comedy in the film runs through without being over the top or out of tone with the rest of the film. 

What stops the film from being truly great is that there is nothing new or overwhelmingly moving about the film. There isn’t a stand out scene that blows you away. It’s a solid film, but one that doesn’t make you feel like you are

seeing something incredibly special. 

THE BEST

Three BEST things about the film

  1. Ben Affleck – Golden Globe Nomination and my pick
  2. Skillful Direction
  3. Story  Well adapted from the book

THE WORST

The three WORST things about the Film

  1. Can feel slow at times
  2. Story jumps from little kid to young man quickly. 
  3. Nothing New to the story. Coming of age story is now when I was coming of age. This makes me feel old

THE LESSON

Everyone needs an Uncle Charlie.

THE FINAL WORD

You don’t watch this kind of film because you want to learn more about humanity, you watch it because of the comfort that nostalgia allows. You watch it because you are finally seeing your generations growing up on the big screen. You watch it because it will give you warm feels and you don’t risk a lot.

Will you laugh?

Yes, at times. 

THE VERDICT

My 3L system gives me the choice to Love It, Like It, or Lose It. 

The Tender Bar gets a Like It

The Tender Bar is available to watch for free on Amazon Prime with membership.

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review: Licorice Pizza

Licorice Pizza (2021)


R ‧ Comedy Drama /Coming of Age ‧ 133 Minutes

Written by Paul Thomas Anderson

Directed by ‎Paul Thomas Anderson

Review by Silas Lindenstein

THE CAST

Alana Haim; Cooper Hoffman; Sean Penn; Tom Waits; Bradley Cooper; Benny Safdie

THE STORY

The story of Alana Kane and Gary Valentine growing up, running around and going through the treacherous navigation of first love in the San Fernando Valley, 1973.

THE REVIEW


Some of the best films are just a simple premise done really well. To a degree, this is what makes Licorice Pizza such a good film. It’s probably in my top ten films of 2021. Well acted, great writing, funny, and a story that compels you to keep watching to see what happens next. 

A coming of age story set in the 1970s southern California area.  It’s the tale of a 15 year old entrepreneurial boy Gary (Cooper Hoffman) and his unlikely (and at times inappropriate) relationship with a 25 year old woman, Alana (Alana Haim) he meets at his school’s picture day. Their relationship strengthens as they become partners in Gary’s business and they satisfy each of their needs. Gary’s need to have something to yearn for, and Alana’s need to have the attention of someone and a potential opportunity to escape from her redundant existence. 

Cooper Hoffman is the son of the late great actor Seymour Hoffman, this is his first feature film lead and he handles it like he’s been doing it for ages. His tone is effective and right for the character throughout. Very believable as a boy searching to find the next quick buck while he yearns for an older woman that won’t let them be together.

Cooper would probably be getting more recognition for his performance if he wasn’t playing opposite Alana Haim, who delivers one of the best performances of the year. She’s a very authentic actress. She exposes herself and wrestles with her dilemmas so we can share them with her. The chemistry between Alana and Cooper as actors elevates the script so that we can understand the complicated relationship between Gary and Alana. 

The production of the film is nearly flawless. The only major thing is within the storyline itself. I had trouble rooting for the leads to get to get together because of the age difference. Ten years isn’t a deal breaker, unless one of the parties is under 18, then it’s a little creepy. 

THE BEST

Three BEST things about the film

  1. Alana Haim’s performance. Honest, passionate, and authentic. 
  2. The writing, it’s believable, turns out it is based on a real guy.
  3. The cameos; Bradley Cooper and Sean Penn make you howl.

THE WORST

The WORST things about the Film

  1. There’s really only one thing that bothered me about the film, and that’s the age difference. While it’s not clear exactly how long the film takes over, as the film develops and feelings between the characters, we have to remember that Alana is an adult and Gary, however mature he seems at times, is still a kid. The relationship isn’t appropriate and if the genders were reversed, this film wouldn’t be celebrated.

THE LESSON

You don’t need attention as much as you need appreciation. 

THE FINAL WORD

A solid film from top to bottom. Expect high praise from this film now, and extraordinary work in the future from the lead actors. Licorice Pizza is a film you need to take a bite out of. 

THE VERDICT

My 3L system gives me the choice to Love It, Like It, or Lose It. 

Licorice Pizza gets a Love It.


ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Episode 184: Khaled Ridgeway and Death Of A Telemarketer, Plus 8-Bit Christmas Review

This week Silas is joined by director and writer of the new film Death of A Telemarketer, Khaled Ridgeway, for an interview. Before that Silas reviews that film and the new HBO Max Original film 8-Bit Christmas.

5:29 – Review of 8-Bit Christmas
16:10 – Review of Death Of A Telemarketer
24:28 – Interview with Khaled Ridgeway

Episode 183: Reviews of Encanto, King Richard, and Tick Tick Boom

This episode Silas reviews the new Disney film Encanto, the new WB film King Richard, and Netflix’s Tick Tick Boom.

Episode #182: Reviews of Ghostbusters: Afterlife, Passing, and Red Notice

This week Silas reviews  Ghostbusters: Afterlife opening up this weekend in theaters nationwide, as well as two Netflix films Passing and Red Notice, both just released on Netflix this past weekend. 

Episode #179: Christine Weatherup & Reviews of Fink, The Guilty, and See You Next Christmas

Silas sits down with actor, writer, and director Christine Weatherup to talk about her premiere film that was just released on VOD, See You Next Christmas. She also answers the Seven Questions. But first, Silas reviews three films, The Guilty on Netflix, A new film called Finch coming to Apple TV+, and See You Next Christmas, which is now playing. 

Episode 180: Marvel’s Eternals Review with Mike Devore

Silas and guest Mike Devore review Marvel’s Eternals in this bonus episode. 

Episode #170: The Return of Erika Klimecky

Erika Klimecky returns to discuss her latest book One World Lens and to tell us why she loves Nepal so much. She also answers the 7 questions.

To buy Erika’s book One More Lens click here.

Don’t forget leave a 5-Star Review at Apple Podcasts!

Episode #169: Yola Lu and Uncomfortable, The Series


Friend, comedian, and actor Yola Lu joins Silas and Samantha to discuss her move to many years ago to Austin, TX, the comedy scene out there, and what it was like starring in her first film. 

Episode #168: Returning To Stage

Silas & Samantha discuss returning to the comedy stage for the first time post-pandemic, AGT auditions that make Silas cry, and what a one man show should look like. 

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