Black & A Half

The Longest Running Comedy Podcast In Seattle. Probably.

Review: Top Gun: Maverick

Top Gun Maverick (2022)
PG-13 ‧ Action ‧ 2 Hours 17 Minutes

Written by Peter Craig; Justin Marks

Directed by ‎Joseph Kosinski

THE CAST

Cast

THE STORY

(In their own words) After more than 30 years of service as one of the Navy’s top aviators, Pete “Maverick” Mitchell is where he belongs, pushing the envelope as a courageous test pilot and dodging the advancement in rank that would ground him. Training a detachment of graduates for a special assignment, Maverick must confront the ghosts of his past and his deepest fears, culminating in a mission that demands the ultimate sacrifice from those who choose to fly it.

Tom Cruise plays Capt. Pete “Maverick” Mitchell in Top Gun: Maverick from Paramount Pictures, Skydance and Jerry Bruckheimer Films.

THE REVIEW

Top Gun Maverick is a film gushing with nostalgia of the first film while providing just enough new story to drive a new tale.  Fans of the original will enjoy the many call backs including bars songs sung, Cruise cruising around on a motorcycle, beach sports scenes, and wise cracking arrogance. 

The film succeeds on many levels, especially as a sequel. It takes the established character we know, shows us how things have been going since we last left off 30 years ago, and then furthers that character’s journey while reminding us of the ghosts of his past.  As a sequel it is nearly perfect. This will likely go down as one of the top sequels ever done.

As an actor, Tom Cruise does a fine job playing the charismatic and rule-pushing Maverick. A man who is haunted by the loss of his best friend in the first film. Someone who seems two of not allowed himself to advance in his career, a sort of atonement or perhaps simply to make the loss worth it. If he can’t be the best, there was no reason for him ever to have pushed the limits that caused the accident.

There’s also an element of the film that is both a good choice and a weakness in the film. The “enemy” in the film is named as “Nato adversary” but they never name a country or allude to what it might be. Which works well in the sense that the film can now play anywhere and will work in any time period, but also kills the stakes for the film. Keeping the enemy faceless doesn’t give depth to the villain, and you need a good villain to make a great hero.

While I liked the film, I am struggling with all the glowing reviews of the film that I’ve read. I thought it was okay, not the best action film in years. The fighter aerials are truly outstanding, it’s not like this film is moving the genre forward in any way. I don’t see other filmmakers using this as a blueprint going forward. If anything, it just used the standard action film formulas that we are used to. The film was somewhat predictable, which I think adds to the comfort feelings we all have with it. It’s very familiar, because we’ve seen this film outline before. Maybe I simply lack the Top Gun DNA that seems to be embedded in most of film lovers. I really, really wish I could like this film as much as everyone else seems to, but I just don’t. I don’t dislike it, but I doubt I’d watch it again on my own.

Overall, Top Gun: Maverick works as a film and is well worth the viewing in IMAX.  You need the optimal film quality to really appreciate Tom Cruise’s hair.

MONICA BARBARO PLAYS “PHOENIX,” JAY ELLIS PLAYS “PAYBACK,” AND DANNY RAMIREZ PLAYS “FANBOY” IN TOP GUN: MAVERICK FROM PARAMOUNT PICTURES, SKYDANCE AND JERRY BRUCKHEIMER FILMS.

THE BEST
BEST things about the film

  1. Action flight sequences. 
  2. Perfect blend of nostalgia of the first film while moving the film forward 
  3. Loved that we dropped into the middle of his love interest’s story and didn’t play the exposition game with us.  They just let it unfold to us and allowed us to discover their past as the scenes unfold.
  4. Tom Cruise’s hair. 

THE WORST

The three WORST things about the Film

  1. Are there no Motorcycle helmet laws in this Top Gun world?
  2. While I think they made a smart move by not identifying an enemy country, it really killed the stakes with them fighting a faceless anonymous enemy. Why should I care. 
  3. Pretty predictable.

THE LESSON

It doesn’t matter how fast you go, you can’t outrun the ghosts of your past.

THE FINAL WORD

Probably one of the top film sequels made.  While I did really enjoy it, I’m a bit surprised at how extreme the praise the film has been. If you were a fan of the original, I think you are in for a real treat.  If you haven’t seen the original, go see it first so you can experience the joy others are getting. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Top Gun Maverick gets a Like It. 

THE TRAILER

THE REVIEWER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review – The Unbearable Weight Of Massive Talent

The Unbearable Weight of Massive Talent (2022)
R ‧ Action/Comedy ‧ 1 Hour 47 Minutes

Written by  Kevin Etten &‎ Tom Gormican

Directed by ‎Tom Gormican

THE CAST

  • Nicolas Cage
  • Pedro Pascal
  • Sharon Horgan
  • Ike Barinholtz
  • Alessandra Mastronardi
  • Jacob Scipio
  • Neil Patrick Harris
  • Tiffany Haddish

THE STORY

(In their own words) Unfulfilled and facing financial ruin, actor Nick Cage accepts a $1 million offer to attend a wealthy fan’s birthday party. Things take a wildly unexpected turn when a CIA operative recruits Cage for an unusual mission. Taking on the role of a lifetime, he soon finds himself channeling his most iconic and beloved characters to save himself and his loved ones.

THE REVIEW

Nicholas Cage is obviously a massive talent. He has what most actors dream of….a distinct voice and style of acting that draws people. 

Above all though, he’s an artist.  I believe that it takes true artistry to be self-reflective and The Unbearable Weight of Massive Talent is a great opportunity for Nicholas Cage to be self-reflective and self-deprecating.  Nicholas Cage shows he is not afraid to make fun of himself and how self aware he is of how the public at large sees him.  The film is a clear fictional version of Cage, but clearly painted with a lot of truth. Truths that lesser men may not be able to handle. 

The essence of the story is that a financially struggling Nicholas Cage takes a million dollar paycheck to attend a fans birthday party. While there, he learns that his fan may be a high profile drug lord and the FBI wants his help to save a woman they believe is being held on the estate. 

The results of this are a wonderful, refreshingly original comedy. Cage is a comedic force in the film. It’s a great tribute to Nicholas Cage that will be enriched by how many films of his you have seen, the good and the bad. The film is part buddy comedy, part action comedy, but whatever it is doing, it is consistently funny. 

I love how self aware the film is…, it’s so layered. It’s almost a movie within a movie within a movie. Are we watching what happened or a story told about what happened? 

There are really only two points of the film I didn’t care for. One, is that I think a film focusing on the celebrity of a Hollywood actor shouldn’t have so many other recognizable faces co-starring. I think it takes us out of the film. It constantly reminds me that the story isn’t real because Nicholas cage is pretending he’s talking to an agent when it’s obviously Neil Patrick Harris. Give us unknown actors for these roles. 

The second point is the end of the film. I can’t tell if they just ran out of time, or just weren’t sure how to end it. But I felt as if I was robbed of a solid ending to the film with a little bit of slight of hand. 

Javi Gutierrez’ (Pedro Pascal, left) and ‘Nicolas Cage’ (Nicolas Cage, right) zooming through the mountains of Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

THE BEST


BEST things about the film

  1. Original
  2. Self-Aware
  3. Pacing
  4. Very funny.

THE WORST

The WORST things about the Film

  1. I don’t feel like we get the ending we deserve. 
  2. I wish other actors in the film were not so well known. I really like the idea of Nick Cage the movie star being amongst all these regular people. But having other semi-stars around him takes away the potential realness feelings of some of the scenes. I really wish the roles played by Tiffany Haddish, Neil Patrick Harris, and Pedro Pascal were played by unknowns, even though they do a fine job. 

THE LESSON

Being a Hollywood star doesn’t mean life is easy. 

‘Nicolas Cage’ (Nicolas Cage) greets ‘Javi Gutierrez’ with a ‘Palm Hold Fist’ salute as he arrives in Mallorca, Spain. Photo Credit: Katalin Vermes/Lionsgate

THE FINAL WORD

A very funny love letter to Nicholas Cage that could only work being starred by Nicholas Cage himself. It is hilarious, self-aware, and very inventive. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Unbearable Weight of Massive Talent gets a Love It.

THE TRAILER

THE REVIEWER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Episode #200: The Episode That Slaps

Silas & Samantha give their unasked for opinions on the famous Will Smith Slap on Chris Rock. Also; exercising, & baby sleeping.

Episode #199 – A Whole Lotta Straws

The real story of ALICE, Old WIves Tales, How Times Have Changed.

2022 Academy Awards Predictions – Who Will Win Vs Who Should Win.

The 2022 Academy Awards are coming up soon.  I have lots of feelings on most of the categories, but I have a strong suspicion that my picks in the categories won’t always match with the winners.  So here are my picks of who I predict will win vs who I think should win!

Best Picture

  • Belfast
  • CODA
  • Don’t Look Up
  • Drive My Car
  • Dune
  • King Richard
  • Licorice Pizza
  • Nightmare Alley
  • The Power of the Dog
  • West Side Story

Who Will Win: West Side Story

It’s a nearly perfect production of West Side Story and Spielberg is a Hollywood favorite. 

Who Should Win: CODA 

Easily my favorite film of the year. A unique story told really, really well and filled with wonderful performances. 

Best Directing

  • Paul Thomas Anderson (Licorice Pizza)
  • Kenneth Branagh (Belfast)
  • Jane Campion (The Power of the Dog)
  • Steven Spielberg (West Side Story)
  • Ryûsuke Hamaguchi (Drive My Car)

Who Will Win: West Side Story

Seems obvious. 

Who Should Win: West Side Story

I can’t argue with this one because the director of my best picture choice isn’t even a nominee. And Spielberg put together a crazy good film here.  

Actor in a Leading Role

  • Javier Bardem (Being the Ricardos)
  • Benedict Cumberbatch (The Power of the Dog)
  • Andrew Garfield (Tick, Tick … Boom!)
  • Will Smith (King Richard)
  • Denzel Washington (The Tragedy of Macbeth)

Who Will Win: Denzel Washington

Shakespeare and Denzel together, the Academy can’t wait to vote for this. 

Who Should Win: Andrew Garfield

Andrew’s performance was brilliant, but I don’t think the academy feels like he’s earned it. 

Actress in a Leading Role

  • Jessica Chastain (The Eyes of Tammy Faye)
  • Olivia Colman (The Lost Daughter)
  • Penélope Cruz (Parallel Mothers)
  • Nicole Kidman (Being the Ricardos)
  • Kristen Stewart (Spencer)

Who Will Win: Kristen Stewart

She’s been winning a lot of awards already for this. 

Who Should Win: Olivia Coleman

Her performance was amazing but the film was overall too boring to get through. 

Actor in a Supporting Role

  • Ciarán Hinds (Belfast)
  • Troy Kotsur (CODA)
  • Jesse Plemons (The Power of the Dog)
  • J.K. Simmons (Being the Ricardos)
  • Kodi Smit-McPhee (The Power of the Dog)

Who Will Win: Troy Kotsur

The Academy loves voting for historical wins (He’s the first deaf actor nominated) and he actually deserves it.  

Who Should Win: Troy Kotsur

His performance was solid. 

Actress in a Supporting Role

  • Jessie Buckley (The Lost Daughter)
  • Ariana DeBose (West Side Story)
  • Judi Dench (Belfast)
  • Kirsten Dunst (The Power of the Dog)
  • Aunjanue Ellis (King Richard)

Who Will Win: Ariana Debose

The Academy will not lose the opportunity to give an Oscar to an actual Latina woman in West Side Story. 

Who Should Win: Aunjanue Ellis

She gave the best monologue of the year in King Richard.

Writing (Adapted Screenplay)

  • CODA (Sian Heder)
  • Drive My Car (Ryûsuke Hamaguchi and Takamasa Oe)
  • Dune (Eric Roth, Jon Spaihts and Denis Villeneuve)
  • The Lost Daughter (Maggie Gyllenhaal)
  • The Power of the Dog (Jane Campion)

Who Will Win: Drive My Car

They will want to give this critics favorite something. 

Who Should Win: CODA

It’s the best story. 

Writing (Original Screenplay)

  • Belfast (Kenneth Branagh)
  • Don’t Look Up (Adam McKay and David Sirota)
  • Licorice Pizza (Paul Thomas Anderson)
  • King Richard (Zach Baylin)
  • The Worst Person in the World (Joachim Trier)

Who Will Win: Licorice PIzza

They will give into the buzz. 

Who Should Win: Don’t Look Up

I absolutely loved the writing in this. 

Animated Feature Film

  • Encanto
  • Flee
  • Luca
  • The Mitchells vs. the Machines
  • Raya and the Last Dragon

Who Will Win: Encanto

Who Should Win: Encanto

Thanks for agreeing with me, Academy.

Costume Design

  • Cruella (Jenny Beavan)
  • Cyrano (Massimo Cantini Parrini)
  • Dune (Jacqueline West)
  • Nightmare Alley (Luis Sequeira)
  • West Side Story (Paul Tazewell)

Who Will Win: Dune

They want to show they like SciFi even thought they won’t give best picture to one. 

Who Should Win: West Side Story

Fabulous Costumes.

Music (Original Score)

  • Don’t Look Up (Nicholas Britell)
  • Dune (Hans Zimmer)
  • Encanto (Germaine Franco)
  • Parallel Mothers (Alberto Iglesias)
  • The Power of the Dog (Jonny Greenwood)

Who Will Win: Dune

Who Should Win:  Encanto

Sound

  • Belfast
  • Dune
  • No Time to Die
  • The Power of the Dog
  • West Side Story

Who Will Win: No Time To Die

They reliably pick an odd winner. 

Who Should Win: Dune

Cinematography

  • Dune (Greig Fraser)
  • Nightmare Alley (Dan Lausten)
  • The Power of the Dog (Ari Wegner)
  • The Tragedy of Macbeth (Bruno Delbonnel)
  • West Side Story (Janusz Kaminski)

Who Will Win: West Side Story

This will go hand in hand with the WSS sweep.Off chance of Nightmare Alley

Who Should Win: West Side Story 

Documentary Feature

  • Ascension
  • Attica
  • Flee
  • Summer of Soul
  • Writing With Fire

Who Will Win: Flee

Cause it is different. 

Who Should Win: Summer of Soul

 

Film Editing

  • Don’t Look Up (Hank Corwin)
  • Dune (Joe Walker)
  • King Richard (Pamela Martin)
  • The Power of the Dog (Peter Sciberras)
  • Tick, Tick… Boom! (Myron Kerstein and Andrew Weisblum)

Who Will Win: Dune

Who Should Win: Don’t Look Up

International Feature Film

  • Drive My Car (Japan)
  • Flee (Denmark)
  • The Hand of God (Italy)
  • Lunana: A Yak in the Classroom (Bhutan)
  • The Worst Person in the World (Norway)

Who Will Win: Drive My Car

This film is sweeping the critics awards.

Who Should Win: The Worst Person In The World

This film has it all. Funny, touching, and original.

Makeup and Hairstyling

  • The Eyes of Tammy Faye
  • House of Gucci
  • Coming 2 America
  • Cruella
  • Dune

Who Will Win: The Eyes of Tammy Faye

Who Should Win: House of Gucci

Music (Original Song)

  • Be Alive — Beyoncé Knowles-Carter and Darius Scott (King Richard)
  • Dos Oruguitas — Lin-Manuel Miranda (Encanto)
  • Down to Joy — Van Morrison (Belfast)
  • No Time to Die — Billie Eilish and Finneas O’Connell (No Time to Die)
  • Somehow You Do — Diane Warren (Four Good Days)

Who Will Win: No Time To Die

They Love Bond film songs. 

Who Should Win: Dos Oruguitas

Lin Manuel should win all somg awards. 

Production Design

  • Dune (Zsuzsanna Sipos and Patrice Vermette)
  • Nightmare Alley (Tamara Deverell and Shane Vieau)
  • The Power of the Dog (Grant Major and Amber Richards)
  • The Tragedy of Macbeth (Stefan Dechant and Nancy Haigh)
  • West Side Story (Rena DeAngelo and Adam Stockhausen)

Who Will Win: Nightmare Alley

Only to try and not give West Side Story everything. 

Who Should Win: West Side Story

Visual Effects

  • Dune
  • Free Guy
  • Shang-Chi and the Legend of the Ten Rings
  • No Time to Die
  • Spider-Man: No Way Home

Who Will Win: Shang-Chi and the Legend of Ten Rings

I think this will be a guilt play.

Who Should Win: Spider-Man No Way Home 

It’s visual effects were completely indistinguishable from real life.

About The Author

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review – The Lost City

The Lost City (2022)

PG-13 ‧ Action/Adventure/Comedy ‧ 1 hour 52 Minutes

Story by Seth Gordon, Written by  Oren Uziel; Dana Fox; Adam Nee; Aaron Nee

Directed by ‎Aaron Nee, Adam Nee

THE CAST

Sandra Bullock; Channing Tatum; Daniel Radcliffe; Da’Vine Joy Randolph; Brad Pitt; Oscar Nuñez

THE STORY

(In their own words) Reclusive author Loretta Sage writes about exotic places in her popular adventure novels that feature a handsome cover model named Alan. While on tour promoting her new book with Alan, Loretta gets kidnapped by an eccentric billionaire who hopes she can lead him to an ancient city’s lost treasure from her latest story. Determined to prove he can be a hero in real life and not just on the pages of her books, Alan sets off to rescue her.

Sandra Bullock and Channing Tatum star in Paramount Pictures’ “THE LOST CITY.”

THE REVIEW

Let me get straight to it with film because it’s been a while since I’ve been this excited about a comedy. The Lost City is easily the best comedy I’ve seen this year and I honestly can’t imagine enjoying another film this year as much as I did this one. It ls laugh out loud funny, perfectly paced, wonderfully acted, and had the audience I watched the film with absolutely rolling from beginning to end. 

Sandra Bullock returns to this genre that she absolutely owns in The Lost City playing romance novel author Loretta Sage. While I wouldn’t have really considered Channing Tatum as a good pairing for her, this movie showed me that these two need to work together a lot more. The comedic timing and chemistry between these two was flawless.  I don’t think there is another current leading actress who performs physical comedy as well as Sandra Bullock does; from her awkwardness of sitting on a stool to rolling out of a hammock, she finds a way to bring laughter to such simple movements. Her reactions to her circumstances or Channing Tatum’s butt are never too far keeping her grounded in the real world, but stretched just far enough to milk the scene for all the comedy she can. 

Daniel Radcliffe shines as the villain of the film, billionaire Abigail Fairfax. While Radcliffe’s charm makes you instantly disarmed, that only feeds into making his villainous acts a little unexpected and therefore impressive. He’s a wonderful comedic villain, which I wasn’t expecting, and really wants me to see him as a bad guy in a more serious film. 

The Lost CIty is an adventure that I don’t want to spoil. Is some of the plot a little predictable? Yes. Do they take quite a lot of liberties in dealing with plane flight times? Yes. But those minor elements are easily dismissed when you are presented with such a wonderful, well-crafted, fun adventure.  And there are enough unexpected surprises in the film to make up for anything. Also, when predictable moments happen, the comedy that they create out of the situation is superb.

Sandra Bullock and Daniel Radcliffe star in Paramount Pictures’ “THE LOST CITY.”

THE BEST

Three BEST things about the film

  1. Very funny. Extremely. I was shocked at how much I laughed at this film. Probably the funniest comedy of the year. 
  2. Lots of unexpected turns that are also memorable. 
  3. Wonderful chemistry between leads. 

THE WORST

The three WORST things about the Film

  1. Minor issue with ending. 
  2. Some predictable moments.
  3. Lacks logic to timeline of events.

THE LESSON

Don’t be afraid of opening the door and seeing what’s next.

THE FINAL WORD

Easily the funniest film of the year and I find it hard to imagine anyone with a heart and soul not liking this film. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

The Lost City gets a Love It. 

THE TRAILER

THE REVIEWER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Episode #198: George A. Tramountanas & Win A Trip To Brown Town

George A. Tramountanas dropped by to discuss his new film “Win A Trip To Browntown” and what it was like to lose 50 pounds while filming a movie.

Review – X (2022)

X  (2022)
R ‧ Horror • 1 Hour 45 Minutes

Written by Ti West
Directed by ‎Ti West

THE CAST

Mia Goth; Jenna Ortega; Martin Henderson; Brittany Snow; Scott Mescudi. 

THE STORY

(In their own words) In 1979, a group of young filmmakers set out to make an adult film in rural Texas, but when their reclusive, elderly hosts catch them in the act, the cast soon find themselves in a desperate fight for their lives.

THE REVIEW

Horror is not my “go to” genre. It’s one that I’ve really tried to enjoy, but mostly I get too scared to watch alone, and reviewing movies can mean watching a lot of movies by myself. So, if it weren’t for a friend offering to attend the press screening for X with me, I wouldn’t have gone, though I was intrigued. 

I was mainly intrigued since the film is being distributed by A24 Films and over the last year, I’ve come to find that A24 Films tends to release surprisingly good films.  So I had a hunch I might enjoy it. And I did, I actually really enjoyed the film, though there is a lot to digest from it. 

The basic part of the plot is a group of young filmmakers are setting out to shoot an adult film. The director, Wayne,  wants it to be a huge financial success like Debbie Does Dallas. The cinematographer, RJ, wants it to be a more artistic film than most pornos. He wants it to be a high quality film and raise the genre up as a whole, that’s his mission and reason for doing the film, aside from just paying the bills.  Which is fitting because my impression of the film was that it was really raising the bar on horror films. It was shot with much more finesse than most horror films. Its acting is solid throughout, the writing is really good, the film moves in different directions than you suspect, and manages to captivate you as a viewer, not to just see what the next brutal killing will be, but you want to know how the story will end.   

This is also the second film this year I’ve seen Jenna Ortega in, and I have to say she is turning in some wonderful performances recently. I think she’s showing that she is going to be a force in cinema really soon. She’s not alone in a solid acting performance, but she is the character that gets to experience a major change during the story. She’s the only one that makes a choice to change her life and it’s compelling to watch. The entire cast does a very fine acting job. It’s one of the best ensemble pieces of the year so far. 

The film is tense. There is a huge amount of build up for the true action gets started. It lays a lot of groundwork in the beginning of the film, but in a really good way. The first hour of the film is used really well to set up how this thing will finish. Just excellent pacing throughout. 

There are also a couple of really cool editing choices. Superfast back and forth jump cut edits of different locations  and of what is happening. They are nearly jarring to the point of looking like a mistake when it first happens, until you realize they are making a deliberate choice. 

This is really a first rate film, not just an excellent horror. The sum of the parts of this make it a really good film. But don’t be fooled, it is a horror. There’s some graphic slashing scenes that aren’t for the faint of heart, it’s a horror. A really good one.  

DSC_2846.NEF

THE BEST
Three BEST things about the film

  1. Unexpected twists. 
  2. I like that it’s not just a slasher horror. It was actually very cinematic and had some heart to it. 
  3. Well developed characters. 

THE WORST

The WORST things about the Film

  1. Some ridiculous choices by characters to advance the plot. 
  2. Too convenient for many parts.

THE LESSON

Ask permission from homeowners before you shoot a film in their property.

THE FINAL WORD

A surprisingly elevated horror film, bringing an artistic eye to a genre where you don’t expect it. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

X gets a Like It 

THE TRAILER

THE REVIEWER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review – Alice (2022)

Alice (2022)
R ‧ Drama/Thriller ‧ 1h 38m


Written by Krystin Ver Linden

Directed by ‎Krystin Ver Linden

THE CAST

 Keke Palmer; Jonny Lee Miller; Common; Gaius Charles; Alicia Witt

THE STORY

(In their own words) Alice, an enslaved person yearning for freedom on a Georgia plantation, escapes through the woods and stumbles through time into the year 1973. After she meets a disillusioned political activist, she confronts the lies that kept her enslaved.

THE REVIEW

The biggest thing about Alice that I couldn’t shake were the words from the trailer, ‘Inspired by true events”. I had to research this after seeing the film. Turns out,  In 1960 a Black woman was found to be still held in slavery in the south.  There are so many incredible injustices that have happened to Black Americans over the last couple hundred years, even after I think I’ve heard all the stories there are to tell, I find an all new story. 

Alice is a powerful and emotional film. Opening up on the slave Alice, played by Keke Palmer working on a southern plantation, on what appears to be the early 1800s, it seems like we are going to have a typical story of a slave owner and his mistreatment of the slaves. But there are early hints of something wrong, something mysterious. One of the slave hand speaks of his father meeting a man who could make fire from his hands (a lighter). These little mysterious things pop in letting us know something is off. 

The master of the plantation is obsessed with Alice. After she secretly marries her boyfriend, the master becomes very upset and tells her husband he is going to send him away for
“breeding” purposes. And later, the master then forces himself upon Alice. Here is where you will get a lot of complaints. You will hear criticisms of torture porn or something like that. Because there are way too many movies of Black people in slavery and they often have rape scenes. It’s almost a trope at this point. But it’s really hard to tell a story involving that time and make it seem realistic without showing the horrors of what was happening. If a filmmaker doesn’t show the extreme ugliness of what was happening they can get accused of glossing it over and making it not seem so bad. It’s really a catch 22 for filmmakers dealing with this era. 

At this point, after a series of events involving her husband, Alice escapes the plantation, and makes her way onto a 1970’s modern interstate highway, where she faints upon almost getting run over by a semi truck driven by Frank, played by musician/actor Common. Frank takes her to a hospital and it is at this point that we realize she is not a time traveler, she isn’t crazy, she was being held in an unbelievable situation. She is caught between wanting to help her family she left behind and worried about not being believed by local police and sent to an insane asylum.  This is also the deep south in 1973, the police aren’t likely to be very helpful to her anyway.

The film has some really great moments. Keke Palmer’s performance is a masterpiece. Her acting is raw and emotionally open. Following her through each discovery is incredible. The pacing of the film is really nice, the story is compelling throughout, and it really does a wonderful job mixing the thrill and mystery in the beginning of the film, without giving away too much of what is going on. 

It’s an unnerving story, and it really does its job of compelling you to tell other people about it. While the specifics of the story are made up, the fact that the basic event of the film is true is both mind boggling and profoundly gut wrenching.  First time director Krystin Ver Linden did an exemplary job of crafting the film with the right tones, for in some ways this is two films in one. One is the world of slavery that Alice starts in before she finds the rabbit hole to freedom. Both worlds were distinctly different but clearly in the same universe. That’s what takes a lot of skill. 

This film made me tell all my neighbors about it and what the film is based on. What else can you ask from a film? It takes a really good film to make you talk about it and the source material, and this pulled that off. I urge you to take a look at this Sundance premiering film as it opens up nationwide. 

THE BEST


Three BEST things about the film

  1. The story is really engaging. 
  2. Acting performances are solid throughout. 
  3. Writing of the story and dialogue  is excellent. 
  4. Finally a twist on the traditional “slave” stories. 

THE WORST

The WORST things about the Film

  1. The time on the “outside” happens too fast. She should learn the history a lot slower. But I don’t know how to solve that and keep the pacing going. 
  2. It’s hard to keep watching the violence on Slaves movie after movie, but like mentioned before, how do you show the horrors without the horrors.

THE LESSONS

Doing the right thing is never wrong.

Just because a story is unbelievable doesn’t mean it isn’t true.

THE FINAL WORD

A compelling and thought provoking film that you’ll want to tell others about. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Alice gets a Love It from me. 

THE TRAILER

ABOUT SILAS

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Episode #196: Welcome Back

Samantha Rund RETURNS and talks to Silas about comfort television, current television thoughts, and review writing.

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