Review: Gone In The Night

Gone In The Night (2022)
Rating ‧ Thriller/Mystery‧ 1 Hour 30 Minutes

Written by Matthew Derby and Eli Horowitz

Directed by ‎Eli Horowitz

THE CAST

Winona Ryder, Dermot Mulroney, Dustin Ingram, John Gallagher Jr., And Brianne Tju

THE STORY

(In their own words) Upon arriving at a remote cabin for a getaway, a woman and her boyfriend discover another couple already staying there. They decide to share the rental for the night, but the boyfriend’s disappearance sparks a race for answers.

THE BEST
The BEST things about the film

  1. Winona Ryder – I will really watch anything she does. She definitely delivers and carries the film. Her performance is so nuanced, like early on in the film she does little things in the rearview mirror, subtle looks that later end up being very important.
  2. Editing – The way they edited the film in a non-linear framework really made the mystery compelling. They also really tightly edited the film, it was nice and short and didn’t have extra fluff in the film. Kept the story direct and focused.
  3. The suspense – The film is certainly suspenseful. Director Eli Horowitz definitely hit the tone of the film well. The first half of the film is especially intriguing.

THE WORST

The WORST things about the Film

  1. The main premise, the inciting incident of Kath (Winona Ryder) agreeing to stay overnight with a couple strangers was just kind of preposterous. I had a hard time getting over the fact that I didn’t believe she would be willing to stay. And then so easily accept the explanation for why her boyfriend disappears…fundamental foundation problems.
  2. Predictability – The mystery didn’t take too long to start figuring out that something else happened than initially presented and we get a good guess on where it’s going. I can’t say I had a prediction for the end of the film, but with a smaller cast you know too quick who all the players will be.
  3. The third act – The third act of the film is a bit of a head scratcher. Bizarre and possibly unearned. The film deserved better than the ending that we get. 

THE REVIEW

The film feels like a late night movie you catch repeating on HBO a bunch so you finally watch it and wonder…”I thought Winona was doing pretty well at this point in her career, I wonder why she did this film. “ Winona Ryder is certainly the draw to the film and her acting is quite wonderful and nuanced…she didn’t need to do this film, but the film definitely needed her.  She really does a wonderful job in the film. She is the source of making every seen engaging, mysterious, and you want her to solve the mystery. The film simply wouldn’t have worked without her cast in the film. 

That being said, the rest of the cast does a really good job in their respective roles. Brianne Tju has a really interesting quality to her that brings an air of mystery. You always get the sense that there’s something she isn’t saying. She certainly has that “it” factor. 

What the film does well is tone. It does a really good job of creating an intriguing atmosphere that while watching, you can somewhat go along with the story. But it’s one of those films that the more you think about it, the film starts to unravel. 

THE LESSON

Learn to be okay within your own skin.

THE FINAL WORD

Winona Ryder is outstanding in this mystery that will have you on the edge of your seat for the first half of the film and then scratching your head for the last third. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Gone In The Night gets a Like It.

THE TRAILER

Review: Bullet Train

Bullet Train  (2022)
R  ‧  Action Comedy Thriller ‧ 2  Hour 6 Minutes

Directed by ‎David Leitch

Screenplay by Zak Olkewicz. Based on the Japanese novel Maria Beetle (published in English as Bullet Train) by Kōtarō Isaka.

THE CAST

Brad Pitt, Joey King, Aaron Taylor-Johnson, Brian Tyree Henry, Andrew Koji, Hiroyuki Sanada, Michael Shannon, Benito A Martínez Ocasio, and Sandra Bullock.

THE STORY

(In their own words) Five assassins find themselves on a fast moving bullet train from Tokyo to Morioka with only a few stops in between. They discover their missions are not unrelated to each other.

THE BEST
Three BEST things about the film

  1. The story – Very compelling story and I really like the way it was presented. 
  2. The comedy – really funny film. Impeccable comedy and funny characters. 
  3. Brad Pitt – Such an enjoyable performance. You could tell he was having fun with the role so it was fun for us to watch. He plays an  “Assassin” who is trying to change himself and not kill people anymore. He’s been doing a lot of therapy and  he just wants to do “grab and go” jobs now. He also thinks he is bad luck now, because people around him tend to die, even if they aren’t connected to the job he’s doing. 

THE WORST

The WORST things about the Film

  1. Honestly, I don’t have many complaints about this film. My major issue is probably that we somehow filled this Japanese story set in Japan with a bunch of people who aren’t Japanese. I’m nearly positive that in the original book, they weren’t a bunch of American and British people in the story. However, there is also something to be said that this film likely wouldn’t have gotten viewed by many if it didn’t have a big star attached to it like Brad Pitt. Further, to a degree the race of the people doesn’t matter. It’s not like they cast white people in roles that really relied on being part of Japanese culture.
  2. Violence. There’s a lot of violence in the film. If you are shy to violence, this may not be for you. Much of it is done in a comical way, but it’s still there. Is it gorey? Not exactly, but there is a level of exaggeration. Not as bad as The Kingsmen or Kill Bill, but there is a level of it that you have to be able to deal with. 
  3. I love Sandra Bullock and was looking forward to some Sandra Bullock physical comedy, however that’s not the role she has for this. She serves mostly as a voice actor for this film.

THE REVIEW

Bullet Train is a high speed adventure with surprisingly well rounded characters. In this kind of

action film, you don’t expect the arch of the film to take you through so much character building. We end up with some really fleshed out characters that make you root for them throughout. 

The film is an exaggeration. That’s the “world of the play.” When looking and examining a film like this you can’t judge the action sequences by the terms of a realistic drama, you have to look at the world that is created for the audience. Does the movie stay within the laws and world framework that they establish early on. While Bullet Train is in an absurd world.
It is in a world of exaggerated violence, characters, and therefore it is not a stretch when the world of physics get pushed to their max, and beyond. There are people who will judge this film based on how realistic it is and that simply isn’t fair.  If the film breaks its rules it has established, it is jarring and the audience can feel it, that never happens in the film. 

Bullet Train is my kind of action film. It is smartly written, full of comedy, suspenseful all the way until the end, and has some hidden lessons. In this film it comes from Brad Pitt’s character, Ladybug, who is  about teaching yourself to have a good mindset. 

To me, the film is less of a “who dunnit, and more of a “who DIDN’T do it.” It is full of twists and callbacks to earlier actions, people, and items, so you really have to pay attention during the film. 

Bullet Train is easily one of my favorite action films of the year. 

THE LESSON

Thomas The Train can really teach you to know people.

THE FINAL WORD

Bullet Train is funny, suspenseful, and full of exaggerated displays of violence. One of Brad Pitt’s most entertaining roles in quite a while. Bullet Train is a fun ride that doesn’t disappoint.  One of my favorite action films of the year. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Bullet Train gets a Love It. 

THE TRAILER

Review: DC League of Super-pets

DC League of Super-Pets (2022)
PG ‧ Animated Action Adventure ‧ 106 minutes


Written by John Whittington

Directed by ‎Jared Stern

THE CAST

Dwayne Johnson, Kevin Hart, Kate McKinnon, John Krasinski, Vanessa Bayer, Natasha Lyonne, Diego Luna, Thomas Middleditch, Ben Schwartz, and Keanu Reeves.

THE STORY

(In their own words) Krypto the Super-Dog and Superman are inseparable best friends, sharing the same superpowers and fighting crime side by side in Metropolis. However, when the Man of Steel and the rest of the Justice League are kidnapped, Krypto must convince a ragtag group of animals to master their own newfound powers for a rescue mission

THE BEST


The BEST things about the film

  1. Humor, lots of animated physical comedy. I watched it with two of my kids, one six and one four, and they both laughed a lot during it.  Especially in the first 20 minutes. 
  2. There are some touching moments such as when Krpyto (Dwayne Johnson) and Ace (Kevin Hart) connect over Ace’s traumatic moment that led to him being sent to a rescue.
  3. Really nice family friendly superhero story you can bring kids to so they can enjoy super-heroes in the theater.  
  4. Fun characters. 

THE WORST

The WORST things about the Film

  1. As much as it’s being advertised as a buddy comedy between Dwayne Johnson and Kevin Hart, We know since it is an animated film, we know that they record their voices separately. You aren’t going to feel this chemistry between them.  That is marketing. For some reason, this film more than others you don’t get a sense of chemistry between characters. And I’m honestly not sure why I get that feeling. 
  2. There’s not a lot memorable about the film.  
  3. I find animated films a bit hard to connect with overall, but this one truly didn’t spend the time in making a strong connection and relatability with the audience.

THE REVIEW

I wanted to like this. I really did. I’m a big DC fanboy. I like a lot of the films in the DC universe that most people don’t. It was lighthearted, but unmemorable. It had some fun characters like the evil bald guinea pig hellbent on world domination, but we really don’t care enough about them to emotionally invest. The main protagonist Krypto, played by the charismatic Dwayne Johnson, somehow wasn’t very likable. And I love Dwayne John. Too bad dogs can’t do the People’s Eyebrow. 

I did laugh out loud a few times with my kids. I will admit that. But 90% of my enjoyment of the film was based on their reaction. It’s a kid’s cartoon. Which is okay. I get a lot of enjoyment watching my kid’s enjoy movies. I hope this spurns a love of movies for them. 

THE LESSON

Love isn’t about spending every moment together, but rather what you would do for the person you love. 

THE FINAL WORD

A less than memorable animated film that may be better suited for a night out with kids. Yet, still better than Justice League. Maybe the grown up superhero films need more pets. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

I give this a Lose It for Adults but A Like It for children. 

THE TRAILER

Review: NOPE

NOPE (2022)
R ‧ Horror/Thriller ‧ 2 Hours 11 Minutes


Written and Directed by Jordan Peele

THE CAST

  • Daniel Kaluuya
  • Keke Palmer
  • Steven Yeun

THE STORY

(In their own words) Caretakers at a California horse ranch encounter a mysterious force that affects human and animal behavior.

THE BEST


(from left) OJ Haywood (Daniel Kaluuya), Emerald Haywood (Keke Palmer) and Angel Torres (Brandon Perea) in Nope, written, produced and directed by Jordan Peele.

BEST things about the film

  1. The anticipation
  2. Incredibly imaginative
  3. Wonderful acting
  4. Perfectly timed comedy and terror
  5. It has its own genre
  6. Great messages underneath

THE WORST

The three WORST things about the Film

  1. THERE ISN’T A DAMN THING WRONG WITH THIS FILM.
  2. See number one.
  3. See number two.
Daniel Kaluuya as OJ Haywood in Nope, written, produced and directed by Jordan Peele.

THE REVIEW

Nope is a lot of things. It’s a horror, it’s thriller, it’s comedic, it’s…..a Jordan Peele film. While other filmmakers are out there just crafting new stories, Peele is out there creating his own genre.

This marks director and writer Jordan’s Peele third film and third horror film….with the Peele style. This is easily his best work yet. A clear story, great characters, great performances and underlying themes and messages that will not be obvious to everyone when they first walk away. But there is a lot there. I think this film will be studied and studied. It’s a very layered film. 

The trailers for this film frankly give too much away, and yet, tell you nothing. It’s kind of amazing. I didn’t watch trailers for NOPE since the first teaser until after I watched the film. I’m glad I got fully surprised. 

The film is incredibly imaginative, well crafted, and full of suspense. The film flew by as I was on the edge of my seat from anticipation of the entire film. 

How scary? Like Silence of the Lambs? Gory at all?

I feel like if I say it’s not gory, people will come after me. I think the gore is actually minimal but it is used incredibly and effectively.

I’m not sure how scary it is. I walked in planning to pee my pants. I was pretty tense the whole time.

THE LESSON

Keep your head down.


THE FINAL WORD

Nope is a “yep”. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

NOPE gets a LOVE IT. 

THE TRAILER

THE REVIEWER


When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review: Thor: Love And Thunder

Thor: Love and Thunder  (2022)
PG-13 ‧ Action/Adventure ‧ 2 Hours 5 Minutes


Written by Taika Waititi(story by) Jennifer Kaytin Robinson

Directed by ‎ Taika Waititi

THE CAST

Chris Hemsworth; Christian Bale; Tessa Thompson; Jaimie Alexander; Taika Waititi; Russell Crowe; Natalie Portman.

THE STORY

(In their own words) Thor embarks on a journey unlike anything he’s ever faced — a quest for inner peace. However, his retirement gets interrupted by Gorr the God Butcher, a galactic killer who seeks the extinction of the gods.

THE BEST

(L-R): Natalie Portman as Mighty Thor and Chris Hemsworth as Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.


BEST things about the film

  1. The Direction- It is probably the first Marvel movie with such a distinct voice of the director. This is no doubt a taika Waititi film. It is quirky and funny and takes unexpected approaches to the situation.
  2. Special Effects – Excellent special effects that’s becoming par for the course for Marvel films.
  3. The comedy – This is a very fun film. It really leans into comedy, which director Taika Waititi.
  4. Story – The story has a huge level of magnitude and will have huge impact on the future MCU. I think I now know what the direction of Phase 4 is, especially after the two post-credit scenes.
  5. Christian Bale – Holy moly. I totally forgot he was in the film and I didn’t realize that was him until the film ended and I saw the credits. Incredible transformation as an actor

THE WORST

WORST things about the Film

  1. Lack of relatability – This film deals with a lot of “Gods.” Similar to The Eternals, we are starting to deal with less “grounded” characters that we can relate to. Which makes it tough to really feel relatable.
  2. Jane -You know from the previews that Jane somehow gets the power of Thor in this film. I was super excited about this, but it kind of hurt the film by making everyone super powered. Suddenly, we don’t have our relatable character to side with. Jane needed John, someone to look after that would be more vulnerable.
  3. Villain – We hear a lot about the villain, but don’t get to see a lot.  I don’t feel like they properly built up the big bad for this film. He was there, present, but I didn’t have a strong feeling of caring. Without a good villain, we just don’t care if the hero wins. The origin of him they showed was fantastic, but we needed to see him as the villain longer before we intro’d the heroes to fight him. 
Christian Bale as Gorr in Marvel Studios’ THOR: LOVE AND THUNDER. Photo courtesy of Marvel Studios. ©Marvel Studios 2022. All Rights Reserved.

THE REVIEW

This will probably be the most polarizing marvels film we’ve had yet.  In fact, I could see this movie being as polarizing as the Star Wars film The Last Jedi.  Some people will love Thor Love & Thunder for its quirky, offbeat filmmaking style, it’s continuous use of comedy throughout, the stretching of the established characters’ personalities, and the unexpected direction this film goes with its story.  Others will hate the film for the exact same reasons. 

My daughter watched the press screening with me and she said it didn’t feel like a Marvel movie to her.  And I get that.  It is the first Marvel film I can remember that feels distinctly different because of the director & writer’s style. Most of Disney’s Marvel movies director’s point of view gets generalized by the powers that be.  They don’t want anything to be too unpredictable, that’s why so many Marvel movies feel the same. For this one they clearly let director Taika Waititi have free reign.  

THE LESSON

Love, above all else.

(L-R): Tessa Thompson as Valkyrie and Natalie Portman as Mighty Thor in Marvel Studios’ THOR: LOVE AND THUNDER. Photo by Jasin Boland. ©Marvel Studios 2022. All Rights Reserved.

THE FINAL WORD

Thor: Love and Thunder is a mixed bag. It’s got a lot of elements I really, really liked. It had big shoes to fill after Thor: Ragnorok, and I think it might fall short of expectations in that regard. However, it is still a quirky, fun Marvel film. You haven’t seen anything like this yet. Don’t think too hard and enjoy the action and story. This film is setting up the next big phase of the MCU, so don’t miss out on it. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It.

Thor: Love and Thunder gets a Like It.

THE TRAILER

THE REVIEWER

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Episode #203: New Documentary – Accepted

This week, Silas is joined by director Dan Chen and two people who were subjects for his premiere documentary Accepted, Isaac and Aighty. This documentary focuses on a K-12 school in Louisiana with a 100% college acceptance rate and a 33% Ivy League school acceptance rate. But something is rotten in the state of Denmark. Listen up and then watch the film coming out this July 1st.

Review: Cha Cha Real Smooth

Cha Cha Real Smooth (2022)
R ‧ Comedy/Drama ‧1 Hour 47 Minutes


Written by Cooper Raiff

Directed by ‎Cooper Raiff

THE CAST

Cooper Raiff, Dakota Johnson, Raúl Castillo, Odeya Rush, Evan Assante, Vanessa Burghardt, Brad Garrett, and Leslie Mann

THE STORY

(In their own words) A man who works as a bar mitzvah party host strikes up a unique friendship with a young woman and her teenage daughter.

THE REAL STORY

A young man who can’t help falling in too quickly gets caught up being a nice guy to a (slightly) older woman and tests his own boundaries and hers in this “coming of love” story. 

THE BEST

The BEST things about the film

  1. The Direction – this is really hard to describe to people who haven’t worked on making a film, if the film isn’t stylized toward a particular director like Wes Anderson or unless the director is really known for things like making giant explosion films like Michael Bay.  Sometimes excellent directing is just because the director really knows how to work with a wonderful script and knows how to create the gorgeous moments between actors. That’s what this film does. Some of the best moments in the film happen between the lines. The silences in this film are incredibly rewarding. This film’s moments are handled with incredible care. There’s a delicate touch to the film as it is guided.  The director, who was also the star, really understands how to craft a story and how to draw the viewer into the scene without visually trickery.  
  1. The writing – It’s just so damn well written.  It’s the kind of film that I watch as a filmmaker and go “why can’t I do this.” I’m simultaneously jealous and inspired and in awe. It’s not a complex story but it tells a lot.  I almost would calling it a coming of age story, but the lead is too old for that. So I call it a “coming of love” story.  This film reminds me of the saying “do a simple story, really well.” Accomplished.   Also, it has so many great lines that I’ll be quoting for years. 
  2. The pacing – I know the film is paced really well and incredibly tight because I was shocked to discover the runtime was an hour forty-five. It flew by.
  3. Dakota Johnson – Her performance was so nuanced, subtle and strong in this film. Mark my words, she is going to get a bunch of nominations at the end of the year for best actress at awards shows. As a testament to her acting, her character was crossing some lines that I really felt she shouldn’t and would normally upset me,  but she managed to drum up so much empathy, I could let it go. 

THE WORST

The WORST things about the Film

  1. Acting – I don’t have a lot of bad things to say about. the film, there are few weeks spots. I will say that when I found out the star of it, Cooper Raiff was also the director, I wasn’t surprised. I did unfortunately feel like he had the weakest performance in the film. He relied too much on constantly smiling as a reaction to everything.  Maybe this was a choice, but I kept thinking “that’s an odd choice. Why is he still smiling like that?”  I don’t think choices should be distracting.
  2. Apple Streaming – This isn’t really a fault of the film but rather of Apple TV+. They list the film as a comedy, in reality it is definitely more of a drama/comedy. Calling this a comedy was a little misleading for what I was expecting, though perhaps it did get me ready to laugh, which it did at times, but it is at very least a mixed genre film.

THE LESSON

Love is hard. 

Finding your soulmate doesn’t mean it will be easy. 

THE FINAL WORD

Cha Cha Smooth is funny, charming, and exceptionally directed film. It’s the kind of film that I love; one that focuses on a good story and acting. It examines flawed characters and gives us a better insight into what it is to be human. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

I give Cha Cha Real Smooth a Love It. 

WHERE TO WATCH

Cha Cha Real Smooth is streaming exclusively on Apple TV+

THE TRAILER

THE REVIEWER

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

Review: Elvis

Elvis  (2022)
PG-13 ‧ Musical/Drama ‧ 2 hours 39 Minutes

Written by Baz Luhrmann, Sam Bromell, Craig Pearce and Jeremy Doner

Directed by ‎Baz Luhrmann

THE CAST

 Austin Butler, Tom Hanks, Helen Thomson, Richard Roxburgh, Olivia DeJonge, Luke Bracey, Natasha Bassett, David Wenham, Kelvin Harrison Jr., Xavier Samuel, and Kodi Smit-McPhee

THE STORY

(In their own words) Elvis Presley rises to fame in the 1950s while maintaining a complex relationship with his manager, Colonel Tom Parker.

THE BEST


The BEST things about the film

  1. Loved that this is one of the first films to really show how much Black music influenced Elvis by him growing up in the culture. 
  2. This first ½ of the film is filmmaking at its best.
  3. Tom Hanks is brilliant in his role as Colonel Tom Parker. Hanks has this amazing ability to draw us in to watch him in a film and then let us forget that it is him. 
  4. Cinematography is fantastic in this, the editing is wonderful. It really does a great job telling this story.
  5. Despite having seen a lot of films about Elvis, I feel like this film actually showed us a new story. 
  6. The pacing is great. It’s a long film but it  didn’t feel like it. 
  7. The music. You have to like the Elvis music style a little bit to enjoy this. But even outside of his singing there is a lot of rhythm and blues music, showing us what Elvis was influenced by. 
  8. It actually made me care about Elvis again, which I didn’t think would happen since I was twelve years old. 
  9. Austin Butler’s performance is an amazing impersonation of Elvis.
  10. This film finally got me to understand why girls went crazy for Elvis. The cinematography really created this understanding. 

THE WORST

The WORST things about the Film

  1. It really glosses over some really bad stuff about Elvis – like how old Priscilla was when he married her, and his cheating on her while on the road.
  2. Some of the music choices, like including rap during his walking around the Black neighborhoods, didn’t work for me because they didn’t continue throughout.
  3. It suffers a typical problem of biopics, this film struggles in the third act trying to include his whole life. It would work better to just be a section of his life. 
  4. At no point did the film seem relevant to today. I kept asking, why this film? Why now? I really didn’t need this. 
  5. The music wasn’t that memorable and I would expect the Moulin Rouge director to do better with a piece like this.

THE LESSON

It doesn’t matter what you accomplish, if you are unhappy with yourself, you’ll never feel like you’ve done anything.

THE FINAL WORD

The first ½ of the film is worth the ticket price. This is an interesting take on Elvis but not one that feels especially poignant for today. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Elvis gets a Like It.

THE TRAILER



THE REVIEWER

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.

REVIEW: GOOD LUCK TO YOU, LEO GRANDE

GOOD LUCK TO YOU, LEO GRANDE
R, Comedy/Drama, 1h 37m

Written by Katy Brand
Directed by Sophie Brand

THE CAST

Emma Thompson, Daryl McCormack

THE STORY

(In their own words) Nancy Stokes, a 55-year-old widow, is yearning for some adventure, human connection, and some sex–some good sex.

Daryl McCormack and Emma Thompson in the film GOOD LUCK TO YOU, LEO GRANDE. Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved

THE BEST
Three BEST things about the film

  1. The writing – Excellent dialogue. Usually when it is this good it started off as a play or something. But it wasn’t. Also the setting is very minimal, most of it just being two people in a room. Felt so much like a play, that’s good writing. 
  2. The bravery – Emma Thompson commits some huge acts of bravery in this film for what she’s willing to bare for the part. Hollywood is not kind to women over 50. She is raw, and brave and takes some huge chances she didn’t have to in order to  make this film happen. Fearless. I wish I could be as brave as her. 
  3. The acting – The acting in this film is delightful. Both actors. It’s everything that I love about acting and watching actors worth. The back and forth, the pinches and ouches, action and reaction. This is a master’s class in acting. Just delightful. 

THE WORST

The three WORST things about the Film

  1. For a film it isn’t super dynamic. It’s almost all in one location. Is this the best medium for the story?
  2. The film may have limited appeal for audiences. Not sure how many young people are able to connect to Emma Thompson’s character. 
  3. By nature of the way it was done, subplots that were created can’t really get resolved. 

THE REVIEW

After recently seeing film after film of huge casts in giant Hollywood blockbusters,Good Luck To You, Leo Grande is a breath of fresh air. Getting the opportunity to watch two exquisite acting performances by Emma Thompson and Daryl McCormack is a welcome palette cleanser. 

This film is very honest, raw, brave, and pretty sexy. It’s a film about exploring sexuality and sensuality. It’s about coming to terms with parts of life you missed and deciding it isn’t too late to explore them. 

Nancy Stokes hires an escort so that she can enjoy sex with a younger man. Mostly so she can experience something she never experienced in her life long marriage; sexual pleasure. Her deceased husband was the only lover she ever had in her life, and sex was a bit utilitarian. 

Her escort, the dashing Leo Grande, teaches her to open up, both sexually and about her life. 

The film is broken into four different acts with three of them being in the same location, with just the two of them on screen. This gives us a rare treat in film these days; the exploration of characters through dialogue. Emma and Daryl both have wonderful chemistry with each other. The dialogue runs smooth and unforced, the scenes make sense from beat to beat, and we get to see monologues. Monologues in modern cinema are so rare when the film is not based off of a play or novel, it was so great to see that there are still screenwriters who know how to write them. I was just really impressed by the writing of the film. 

And with that, you really have to give huge props to the director, Sophie Hyde. Making an interesting feature length film with mostly two actors is not an easy task. She hit all the moments nicely, created really nice builds, and kept the pacing perfect. This might be the best direction I’ve seen in a film this year. 

This film is going to be streaming on Hulu and I really do feel like this will be a trophy piece film for them. If they can find more films like this, it could get known as a place to watch films with terrific performances. 

Daryl McCormack and Emma Thompson in the film GOOD LUCK TO YOU, LEO GRANDE. Photo Courtesy of Searchlight Pictures. © 2022 20th Century Studios All Rights Reserved

THE LESSON

It’s never too late to learn to enjoy yourself. 

Pleasure isn’t something to be ashamed of.

THE FINAL WORD

An acting triumph. Excellent writing and wonderful performances make this a much watch for people who love acting. Be prepared to take a cold shower after. 

THE VERDICT
My 3L system gives me the choice to Love It, Like It, or Lose It. 

Good Luck To You, Leo Grande gets a strong Like It

THE TRAILER

THE REVIEWER

When he’s not reviewing films or interviewing people for the Black & A Half podcast, Silas Lindenstein can be found in the greater metro Seattle, WA working as a real estate agent helping people buy and sell homes, or performing stand up comedy to fellow nerds. He has a wife and three children and desperately wants to learn to make the perfect homemade pizza.